We continue with our two-part article, in which we look at the work of Hans Zimmer, bringing you some of our favourites. If you haven’t read the previous part, you can do so here:

POPZ-CULTURE – Hans Zimmer Selection – Part One

In our previous piece of writing, we mentioned frequent director-composer collaborations. From the 2000s onwards, the German genius became a worldwide collaborator with Christopher Nolan, who became famous mainly for his twisted sci-fi films and the modern-day Batman trilogy. We anticipate that the current selection will focus on the fruits of this collaboration.

The Dark Knight Trilogy (2005-2012)

The much darker reinterpretation of Gotham’s vigilante has a massive fanbase. It’s no wonder, as Nolan’s more mature approach has made the Batman serious again for fans and the general public alike. As for the soundtrack, our favourite is the second part, The Dark Knight, but the other episodes also have excellent scores. We didn’t think we would get a score worthy of Danny Elfman’s work, but it happened.

Inception (2010)

There are dozens of sci-fi films with unusual settings. Distant alien planets, underwater civilisations, or the recently popular alternate dimensions are less and less surprising. It was therefore an innovative idea to place the plot at the level of the subconscious, of dreams. Inception is also a rare example from a soundtrack point of view, as the songs used, in addition to the original compositions, are an excellent way of capturing the fusion of reality and fantasy. The melodies, which are based on bassoon, trombone, and horn instruments, we can recognise it in our sleep, and we are sure that since the film’s premiere, it has also increased the popularity of Edith Piaff’s Non, Je Ne Regrette Rien.

Interstellar (2014)

One word: organ. It presented an exciting premise for Interstellar, in which humanity is preparing to leave a doomed Earth to seek new homes in unknown galaxies. But for us, it is the music of the film that remains the most outstanding. We can’t forget the cinematic experience of the vastness of space and Zimmer’s wonderful music written for the organ. Perhaps never before has the cosmos been so artistically captured on the big screen. When we got home from the screening, we had to listen to it again.

Dunkirk (2017)

Nolan chose the Western Front of World War II as the setting for his first historical film. In 1940, the Franco-British forces caught in the Third Reich’s grip and got in a very vulnerable position on the Atlantic coast. Along with the double bass and cello, the tension was heightened to almost unbearable levels by the distinctive clock ticking that accompanied the entire film. It was a constant reminder of the time pressure and made us feel the desperation the Allies must have felt as they waited for the relief troops to arrive.

Dune: Part One (2021) & Dune: Part Two (2024)

Dennis Villeneuve is a great filmmaking talent of our time, whose long-held dream of directing Frank Herbert’s classic has come true. Although the 1984 David Lynch version of the film still has an unsurpassed soundtrack, Zimmer has not disappointed with his latest composition. By using choral vocals, he has created a soundscape that brings Fremen culture close to us. He managed to express the wild, unrelenting nature of Arrakis through music. If the Canadian director delivers on his promise and expands his own adaptation into a trilogy, he will hopefully call on Zimmer’s expertise to bring it to conclude it.

Selected from nearly forty years of movies, these ten soundtracks are the best of Hans Zimmer’s career. This is not to say that, for example, Black Rain (1989), Driving Miss Daisy (1989) or True Romance (1993) are not worthy of recognition, but unfortunately we had to set a limit. It’s amazing when quality and quantity go together.    

How did you like our list? What are your personal favourites? Let us know in the comments! If you’d like to see more similar content about composers, directors or actors, feel free to let us know. We’ll have a series premiere coming soon. In the meantime, if you’re looking for a tasty movie and series-watching snack, POPZ popcorn is the best choice.

When we summarise our thoughts about a movie or TV series, we focus on the three main elements of the work. These are the story, the characters and the visuals. However, there is a fourth component that can fundamentally define the film experience: the music. Whether it’s original compositions or the use of well-known songs, a skillfully chosen or expertly composed soundtrack can make a huge difference to the overall effect, even if the basic pillars are otherwise not very solid.

The film industry has given our culture as many great composers as it has directors, screenwriters, and actors. It is not uncommon for certain filmmakers to stick to one particular composer, regardless of the subject matter of the film. The most famous of these collaborations include Sergio Leone and Ennio Morricone, Tim Burton and Danny Elfman, but for Steven Spielberg and George Lucas, for example, John Williams was a favourite.

With these articles, we would like to pay tribute to one of the most famous and respected composers of our time, Hans Zimmer. The artist, who has been working since the 1980s, has an extremely varied career. He composed music for heart-pounding dramas, fast-paced action movies, and even animated films. We’ve decided to give you a list of the best films from his vast oeuvre in two parts. Here is our list of our personal favourites, in chronological order.

Rain Man (1988)

The first major breakthrough for the master came with the score for Barry Levinson’s drama. Dustin Hoffman and Tom Cruise’s captivating performances are accompanied by Zimmer’s calm but well-paced melodies. The score is both traditional and modern, using electronic elements and synthesizers alongside piano and drums. A unique and exceptional composition that made Raymond and Charlie’s journey unforgettable for us.

The Lion King (1994)

Simba’s story of growing up remains a lasting memory of our childhood. To this day, it has a universal message about the responsibilities of power, friendship, and overcoming fears that is accessible to audiences young and old. Its soundtrack is a collection of sublime, dramatic, and uplifting movements that provide the perfect accompaniment to the scenes.  A real emotional rollercoaster ride, like life itself. 

The Rock (1996)

Michael Bay’s epoch-making action film features some of the biggest stars of the 90s, with Ed Harris, Sean Connery and Nicolas Cage all in fine performances in this fast-paced masterpiece. Once again, the music is fantastic, and it’s an adrenaline rush. When we made our list, there was no doubt about its place on it. We highly recommend it to fans of the genre, and the soundtrack is worth listening to on its own.

Gladiator (2000)

The sequel to Ridley Scott’s historical film is being talked about more and more, and this November it will be one of the biggest movie premieres. In addition to the stunning visuals, Gladiator also delivered a strong musical performance. Maximus’ plight is underpinned by emotive melodies and creates an excellent atmosphere. Although the film leaves something to be desired in terms of historical fidelity, the music is first class.

Pirates of the Caribbean: Dead Man’s Chest (2006)

Who doesn’t know the stories of Captain Jack Sparrow? Zimmer, in collaboration with Klaus Badelt, have created iconic theme that is instantly recognisable and hummable. The songs almost invite the viewer on an adventure and make them want to explore the endless sea. It is easy to imagine that even those who have not seen the films will recognise them.

How do you like our selection so far? Let us know in the comments! Stay tuned, because we’ll be back soon with part two. If you liked our article, share it with others and like our post. And if you’re in the mood for a delicious movie and series watching snack, POPZ Popcorn is the best choice.   

Genre: Fantasy, action, drama

Age limit: 18

Directed by: Miguel Sapochnik, Clare Kilner, Geeta V. Patel, Greg Yaitanes

Written by: George R. R. Martin, Ryan J. Condal

Starring: Matt Smith, Emma D’Arcy, Olivia Cooke

NOTE: This review refers to the first 3 episodes of the second season

„And with his death, the war of ravens and envoys and marriage pacts came to an end, and the war of fire and blood began in earnest.”

George R. R. Martin – Fire & Blood

After a two-year break, House of the Dragon, the throne quest of the Targaryen dynasty resumes. We’ve been watching each new episode week after week, because the war around the Iron Throne still manage to pique our curiosity.

First and foremost, we can recommend that those interested should at least briefly relive the events of the first season. The story picks up almost directly where it previously left off. The immoral struggle for domination between Blacks and Greens leads to the use of ever more bestial means, while alliances are forged and broken. But even within the two well-separated factions, infighting is rearing its ugly head. For those who have read George R.R. Martin’s Fire and Blood, the book on which the series is based, it can be both predictable and yet surprising at many points. The novel provides ample space for imagination, so there are other interpretations, but for that very reason we would highly recommend the series to any fan of the Targaryen house.

House of the Dragon still has really high quality of visuals that make you feel like they’re bringing cinema quality into your living room. Everything from Harrenhal to Dragonstone looks beautiful, and when the dragons come into the picture, it takes our breath away. The performances are particularly strong. Emma D’Arcy as Rhaenyra and Olivia Cooke as Alicent continue to be the most well-developed characters in the production, playing their rivals with a well-developed routine. Tom Glynn-Carney stands out for us as the most outstanding of them, with his powerful portrayal of the inherently insecure yet ambitious, bloodthirsty Aegon II.

But this series is not for everyone. Those who have been favouring the Dragonriders since Game of Thrones will be captivated by this Targaryen succession war too. It may strike everyone else that the story, which focuses mainly on King’s Landing and Dragonstone, is on a much smaller scale, rather than a fantasy that pervades Westeros as a whole. The mysticism and symbolism have been replaced by visceral violence and sensuality, which, while effective, provides less tension and intellectual nourishment. There are memorable moments, but lack the complexity.

How do you like the new season? Let me know in the comments! We’ll definitely be watching the new episodes, because we still consider it one of the most outstanding works in the fantasy genre. If you liked our article, please like our post and share it with others. And if you’re in the mood for a delicious movie and series watching snack, POPZ Popcorn is the best choice.